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/04Installations

Most music presumes a fixed separation between performer and listener. Performance requires expressive intent and the means to enact it — constraints that shape who can participate and in what ways.

My installations redistribute this boundary. By combining arrays of sensors and computational systems with generative, process-based forms, I create spaces in which movement becomes music. Voices enter or recede, harmonic regions shift, and rhythmic cycles accelerate or suspend in response to the proximity, density, or motion of those nearby. 

In these spaces, participants do not play instruments in the traditional sense; instead, they activate and navigate an immersive, living score. The audience does not perform the music so much as perform the conditions under which it unfolds.


CNX ‘26 SPEC